roe bq4 led screen for hire

ROE BLACK QUARTZ 4

BQ4

High-Resolution Outdoor LED Screen Hire

The ROE Black Quartz 4.6mm (BQ4) is a premium outdoor LED screen solution, available for hire at iMAG. Designed for maximum durability and visual impact, this high-resolution LED panel delivers outstanding brightness, colour depth, and seamless performance, making it ideal for festivals, exhibitions, sports broadcasts, corporate events, and large-scale brand activations. With a modular design, fast rigging system, and weather-resistant build, the BQ4 ensures rapid installation and flawless execution even in the most challenging outdoor environments.

ROE BQ4 SPEC

Pixel Pitch 4.6mm
Brightness 5000nits
Transparency Solid
LED Configuration SMD1921 Black Common Cathode
Panel Resolution (H x V) 108 x 216
Module size (cm) W x H x D 500mm x 1000mm x 82.62mm
Module size (ft) W x H x D 19.69” x 39.38” x 3.25”
Viewing horizontal / vertical 160° / 110°
Weight / tile 22kg | 48.5lbs
Power Consumption Max/Average 370W / 185W
BTU Max/Average 1265 / 580
IP Rating IP65
Viewing Angle V / H 110° / 160°
Refresh rate 3840Hz
Gray Scale 16bit
Scan Ratio 1/6
Certificates CE, ETL, FCC, WEEE
Temperature Minus 20°C to Plus 45°C / Minus 4°F to plus 113°F

RECENT PROJECTS WITH ROE BQ4

July 30, 2025
In the world of filmmaking and content creation, it’s easy to get caught up in the debates: Is green screen outdated? Are LED volumes the only future? Will virtual production replace practical effects entirely? In this blog, iMAG’s Creative & Development Director Stephen Maddox explores why the smartest productions don’t choose between green screen or LED — they use both, blending tools to serve the story and deliver the best creative results. Filmmakers and content creators today face no shortage of strong opinions: “Green screen is dead.” “LED is the only way forward.” “Virtual production is replacing practical effects.” But these conversations often miss the point. Why It’s Not About Sides, It’s About Solutions At iMAG, we believe it’s not about choosing sides, it’s about choosing the right tools for the story you’re telling. On one of our recent projects, we used our LED volume for 90% of the shoot. But for the remaining 10%, we dropped in a green screen section precisely where the camera was aimed, allowing the post team the flexibility to dial in later the content yet captured. The rest of the volume still played plate content in-camera to light the scene authentically. On another project, we repurposed the LED wall to act as: A translite replacement for background depth, A green screen surface for keyed inserts, and A platform for in-camera VFX, all in one setup. By doing so, we avoided hauling in a truckload of fabric, lighting rigs, or set paint. In a third case, we simply built a green screen opposite the LED volume so the team could move seamlessly between both environments and maximise every shooting hour. It’s Not One Size Fits All: Adapting to Actors, Crews, and Environments Some actors dislike acting in an empty green box. Others get motion-sick in an LED volume with Ghost Frame or Frame Remapping. Some crews are experts at traditional compositing, while others thrive in Unreal Engine environments. These are not reasons to reject one technology over another. They’re reasons to plan smarter, and mix methods intentionally. Filmmaking isn’t about forcing every scene through the same process—it’s about staying agile, creative, and technically aware. In The West Wing, President Bartlet once said, “The trick isn't picking the right lever… It's using all of them.” The same applies to production. It’s not a matter of green screen or LED or pick your production process. The best work comes when we approach each scene with a full toolkit and the wisdom to know which lever to pull. At iMAG, we see green screen, LED volumes, virtual environments, practical sets, and physical builds as complementary, not competing. Wouldn’t you want to go into your next project with a full toolbox instead of empty-handed? Final Thought: Ask the Better Question The real question isn’t, “Which tool is best?” (My favourite question from The Office, “Which bear is best?”) The better question: What does this story need? What does this moment demand? How do we bring it to life—visually, emotionally, and efficiently? When we stop picking sides and start picking solutions, the work gets better. And that’s what matters most. Find out more about iMAG's virtual production solutions here .
June 30, 2025
Delivering Visual Impact for Snap Inc.’s Flagship Event at Soho Farmhouse.
June 16, 2025
Discover how iMAG delivered a stunning curved LED wall for Hillsong’s Colour Conference at London’s O2 Arena, creating an immersive, 135sqm visual experience in just five hours.
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